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Die Familie Laurent ist eine mittelständische Familie, die nur wenige Kilometer entfernt von einem Flüchtlingslager in Calais lebt. Das Schicksal der Flüchtlinge berührt ihr eigenes Leben kaum und die einzelnen Familienmitglieder fokussieren sich. Happy End ist eine französisch-deutsch-österreichische Koproduktion aus dem Jahr Die Premiere des unter der Regie von Michael Haneke entstandenen Spielfilmes erfolgte am Mai im Rahmen der Internationalen Filmfestspiele von Cannes, wo der Film in den Wettbewerb. Happy End. Trailer ansehenFilm Kaufen. teilen. Die französisch-deutsch-österreichische Koproduktion mit Jean-Louis Trintignant, Isabelle Huppert und Mathieu. Michael Haneke gibt mit seiner schwarzen Komödie "Happy End" eine Die Szene ist grandios und gibt dem Film die Richtung vor: Es geht. Happy End ein Film von Michael Haneke mit Isabelle Huppert, Jean-Louis Trintignant. Inhaltsangabe: Familie Laurent betreibt eine boomende Baufirma – das.
Happy End. Trailer ansehenFilm Kaufen. teilen. Die französisch-deutsch-österreichische Koproduktion mit Jean-Louis Trintignant, Isabelle Huppert und Mathieu. Happy End ein Film von Michael Haneke mit Isabelle Huppert, Jean-Louis Trintignant. Inhaltsangabe: Familie Laurent betreibt eine boomende Baufirma – das. Michael Hanekes Drama Happy End begleitet die Familie von Isabelle Huppert als bessergestellte Mittelständige durch die europäische Flüchtlingskrise. Ist doch schon einmal besser als nichts. Follow us youtube. User folgen 39 Follower Lies die Kritiken. Das könnte dich o beautiful night interessieren. Alles, was das Licht www.movie2k. Vordergründig handelt der Film von der Bauunternehmerfamilie Laurent aus Calais. Es gibt keine Psychologie. Als er click here weigert, den Raum zu verlassen, bringt ihn die Mutter mit rabiaten Mitteln zur Räson. Sie wird ein Mitglied der Familie, indem sie alles Familiäre überwindet. Dass sich die Protagonisten alle auf ihre Weise entfremden und verlieren, ist Ausdruck eines fundamentalen Scheiterns der Kommunikation —….
Pierre is later shown trying to embarrass his mother by calling one of the housemaids a "slave" in front of a large gathering during a party at the mansion.
After Eve's mother falls into a coma as a result of the poisoning, which everyone believes was a suicide attempt, Eve is taken in by Thomas, her estranged father.
She hacks into his computer and finds many e-mails and chat messages which show that he has a sadomasochistic sexual relationship with a female musician.
Eve tries to commit suicide by taking the rest of the sedatives which she had pocketed. Thomas is left speechless. A short time later, Eve's mother dies from the poisoning.
Georges Laurent, depressed because of his dementia and frailty, had already tried to commit suicide before and is shown late at night driving off in a car which he steers directly into a tree in another suicide attempt.
Now using a wheelchair due to bone fractures from the car crash, he asks his longtime hairdresser to help obtain a gun or medication for another suicide attempt, but the hairdresser refuses.
After Eve's own attempt, Thomas asks Georges to talk to her and he asks her why she took the sedatives. When she does not answer, Georges tells her the story of how, when his wife became ill, she suffered so terribly that he finally smothered her and killed her also the story of Haneke's previous film Amour.
Eve now tells him the story of when she was a young child shortly after her father left her mother and she was sent to a youth camp where she was prescribed sedatives.
She did not take the medication herself but slipped it to another girl in the camp whom she did not like. When the poisoning was detected Eve was sent home.
When Georges asks her if she regrets doing it she confirms she did. At a large party at a beach restaurant in honour of Anne's engagement, Pierre arrives late with several refugees from the Calais Jungle in tow.
When he starts presenting them to the party crowd, Anne breaks his finger to make him stop. While this is happening, Georges asks Eve to wheel him outside.
Leaving the party unnoticed, he asks her to push him down a slipway into the sea. They go to the edge of the water where he proceeds to wheel himself into the water up to his neck.
As Eve starts recording her grandfather with her smartphone, the last scene of the film seen through the lens of the phone shows Georges almost fully submerged in the water just as Thomas and Anne run after him with Anne casting a shocked look back at Eve.
In December , French media reported that Michael Haneke would reunite with Amour actors Isabelle Huppert and Jean-Louis Trintignant for his newest project Happy End , with the European migrant crisis potentially forming the backdrop of the film's plot.
It was reported that French production company Les Films du Losange had secured distribution deals in a number of countries. S and Latin American distribution rights to the film.
After the film's initial screening at the Cannes Film Festival, some critics acclaimed Happy End while several others "complained that Haneke [ The film steadfastly refuses to coalesce, as thesis, thriller, winking satire on European wealth, despairing family soap opera, or any of the modes it suggests.
There is the distinctive preoccupation with surveillance and video recording as technologically unsparing moral reproaches to what we choose not to see in our own behaviour.
And Haneke combines this with a new interest in the affectless visual texture of social-media livestreaming, instant messaging, and YouTube supercuts.
Happy End is no exception. It is almost a genre movie. It is unmistakably his work, presented with his usual masterly compositional flair, a mosaic of horror, filmed by cinematographer Christian Berger in crystal-clear light, often with icily detached long-shot camera positions.
The narrative sometimes takes insidious little leaps forward, allowing us to register with a lurch the awful things that have been passed over.
Yet here there is an intriguing new tang of comedy or even grisly farce. There is comedy in Happy End, of the most glacial sort. One scene shows the entire cast, at a grand family party, listening to a musical performance which — even without what we know about the musician — would be preposterous, reeking with imposture and deceit.
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